Picasso's War (Record no. 8077)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 00947nam a2200181 4500 |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2002023167 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780452284159 |
| 024 ## - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 53819701 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ND553.P5 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 759.4 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Russell Martin |
| 245 1# - TITLE STATEMENT | |
| Title | Picasso's War |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Name of publisher, distributor, etc. | Plume |
| Date of publication, distribution, etc. | 2003 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 288 pages |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In Picasso's War, Russell Martin weaves politics, history, art, and science into a stirring narrative of the monumental canvas that was to become the most important artwork of the 20th century. Pablo Picasso, enraged by Hitler's bombing of Guernica in Northern Spain on April 26, 1937, responded to the devastation in his homeland by beginning work on Guernica. In Picasso's War, Martin follows Guernica, the renowned masterwork, across decades and continents, crafting an engrossing story of a its impassioned creation and the struggle to find hope in the face of unspeakable acts of terror. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arts |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Date acquired | Total checkouts | Full call number | Barcode | Date last seen | Copy number | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Lake Chapala Society | Lake Chapala Society | 07/17/2024 | 759.4 MART | 47584 | 07/17/2024 | 1 | 07/17/2024 | Book |